
A few leftovers from a studio shoot a while back with the lovely Tomoko…. in somewhat unrelated news, I crave a 70″ octobox like nobody’s business. Too bad my apartment is literally too small to be able to use one.
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A few leftovers from a studio shoot a while back with the lovely Tomoko…. in somewhat unrelated news, I crave a 70″ octobox like nobody’s business. Too bad my apartment is literally too small to be able to use one.
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Sigh. Was the last time I blogged really 2 months ago? Real life (and work) will do that to you, I suppose. I’ve actually taken quite a few photos over the past 8 weeks, but have been sitting on them since I haven’t had time to process them. But what time better to start than the present? A few weeks ago the lovely Satomi and I decided to get out of the city for a bit and headed over to Oyama-san in neighboring Kanagawa prefecture for some mountain air and a bit of autumn leaf peeping.
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Along with this, one of the questions I’ve been trying to answer recently is whether it’s possible to take a good photograph (or at least one in the style I prefer) – out on the street in under 7 seconds a shot. Well I mean, of course it is, but rather is it possible for me to do that, and to do it consistently? It’s easy when you’re in a studio, with external lighting, stable environment, and a host of assistants, but out on the street, with shifting conditions and lighting and an unpredictable background (and sometimes foreground!), it can get a lot trickier.
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Originally I was going to climb a mountainand get some nature, but I’ve had the striking misfortune of being sick all week (this is actually the second time I’ve been sick in less than a month, wtf?!) so I figured that probably wasn’t the wisest idea in the world. And with the temperatures being what they were, I wasn’t sure venturing somewhere outside of Tokyo would be a good idea either, so instead I opted to stop by the Nishi-Roku Tire Park in Kamata.
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Just a few shots of the lovely Bethann posing with some equally lovely capybaras in my little make-shift studio (consisting of a piece of white paper and a single flash setup) a couple of weeks ago. She was kind enough to grace us all with her lovely smile and patient with me whilst I fiddled non-stop with my flash trying to get the exposures down correctly. Fortunately the capybaras kept her entertained while I got everything figured out

Some photos from a day trip to Kamakura with the lovely Starbucks Girl last year in the autumn. It was perfect weather to visit Kamakura and despite the swelling crowds, we had a really wonderful day.
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The lovely Maya. My first attempt at shooting something indoors within a makeshift studio. Shot with a Canon 580 EX II bounced off an umbrella, a reflector and a Canon 24-70 f/2.8 L. And a peanut butter jelly sandwich. Definitely the most important of all the equipment

Stop right now. Listen to me. The kanji section on the JLPT I is hard. Do not sleep on this ish. To paraphrase Ice Cube: “You better check yo’self before you wreck yo’self.” You’re gonna need to study pretty intensely if you want to pass the kanji section of the JLPT I, my friends, so leave yourself plenty of time. So how to study? If you’re here looking for nifty tricks like mnemonic devices or fancy illustrations ostensibly derived from kanji radicals to help you, then I’m afraid you’ve come to the wrong place. There are only two main ways in which I’ve studied kanji: by reading them in context (in novels, newspapers, during the course of daily life or else at work) and also by brute force baby (break out a piece of paper and start writing them beasts out over and over and over (and over) again). I used both ways when studying for the JLPT I kanji section, so that’s what I’ll talk about. If you want to use pretty pictures or mnemonics you’re welcome to, but I don’t have any particular advice for you.
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So if the object is not 100% listening and comprehension accuracy, then what is the goal? The answer is simple: your goal is to comprehend just enough to answer the question in front of you correctly. In order to do this, you need to be familiar with the general structure of spoken Japanese, be able to grasp the context of a conversation/situation, have a sufficiently deep vocabulary to enable literal comprehension to occur and most of all, be able to “keep up” with the pace of Japanese as spoken by native speakers.
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So just like last year, it’s time again for a wrap-up “year in photos” post. I had a hard time paring everything down into a manageable selection of photos for a single post, despite blogging less this year than last year. I’d like to think that it’s because my photos are improving slightly, but honestly speaking it’s probably that my editing skills are just getting worse haha. (though I did update the Photo of the Day section a lot more this year).
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